LightVision

New alliance -Today we can announce that Wildlight will be distributing the Photo New Zealand collection in Australia! The Photo New Zealand (PNZ) collection features real Kiwi people, amazing scenery and enviable model-released lifestyle images, shot by leading Kiwi photographers. PNZ is a niche, premium library, that shares many core attributes with the Wildlight library. So for the best of Australia and New Zealand you can head to Wildlight. We’ll be launching the new partnership at the PictureHouse Sydney event next Wednesday 17, so pay us a visit. I’ll let you know once the Kiwi collection is available through the Wildlight website, in the meantime go here.

Pictures just in - I’m very happy to say that unlike our competitors we have not uploaded 2 million images this month. Instead we’ve uploaded premium Australian imagery by all rounder, Bill Bachman, tourism, lifestyle and housing pictures by Phil Quirk and iconic beach snapshots by Sheridan Nilsson. See the latest uploads here. Next month we’ll have a fantastic retro collection from the Rennie Ellis Photographic Archive to coincide with a four month long retrospective of Rennie’s work at the National Gallery of Victoria in Melbourne - so dust off your flares or whip into ‘Vinnies’ for some tight fluro slacks and prepare for a flashback!

PictureHouse - Visit us there….

Wildlight will be an exhibitor at the Picturehouse Australia exhibition in Sydney next week on Wednesday, 17 September. Come see us at b2 photographic studio. Unit B2, 46 - 62 Maddox Street, Alexandria, NSW

Picture buyers can register now for a free admission ticket here.

Picturehouse events offer a unique opportunity to discover new sources of imagery, meet the people you only normally contact by phone and email, and network with peers in the industry — all in one location, all in one day! Hope to see you there. We’ll try to sneak in Ernst, the pug!

Hey, don’t take photos! I’ve only been bailed up like this a couple of times, and admittedly I knew I was in the wrong - I was standing on private property taking pictures. I’ve had a few enquiries from photographers, friends and parents at my son’s school, as to what you can and can’t take pictures of without being arrested or called a ‘rock spider‘ and driven out of town. Over the past 10 years there has been such manic social anxiety and political correctness, mostly misguided, regarding the rights of a photographer and the subject. It’s absurd that there should be such uproar about privacy, just look around at all the cameras hanging from street lights and buildings, heck, even at the cafe at lunch, Jean-Marc and I were being watched. Who looks at all this footage, where is it kept? is it safe? Is it already online?

The good news is, you can photograph anything (except military installations) and anybody you like from a public space - man, woman or child. Of course there are some reasonable exceptions, you can’t photograph in an inappropriate way, or with the intention to be subversive or obscene or use a photo in a defamatory manner. In addition you can’t photograph a person for commercial use without a signed model release. Commercial use means using a person’s image to promote a product or service. No surprise; you can’t photograph on private land without permission. There is especially fierce paranoia over images of children. Two excellent articles have been written, NSW Photo Rights: Australian Street Photography Legal Rights by Andrew Nemeth BSc (Hons) LLB, the second, Photography is not a Crime by Fairfax Media contributing photographer, Jon Reid. I suggest you read them right through. They make fascinating and informative reading and go a long way to correct the misconceptions about taking pictures in public. On Andrew’s site there is also a helpful fact sheet, which summarises the rights of the subject and the photographer. I recommend everyone print it out and keep it in their camera bag, download it here. Remember this info applies to New South Wales in particular. I’ll check if there are similar handy fact sheets for the other Australian states and territories.

So from a picture library point of view, we can publish pictures of anyone on our website. If we don’t have a model release, the pictures must be marked ‘editorial only’ - our customers can then only use them in magazines, newspapers and book publishing, including online versions of these.

So what about photographing in NSW public schools? As a parent with my son in public school, this is particularly interesting. Today, I called the principal of his school and had a long conversation about photographing the students. I could gauge from the conversation that there was a lot of grey areas, and plenty of individual interpretation. The principal is kindly finding out some info from the Department of Education, and I’m going to be talking to a couple of lawyers for their views. This topic needs much more examination, I’ll post my opinion next month. Hopefully next time you go to your child’s school, you can take a camera without being stoned by the town mob! But just remember it’s a sensitive issue.

What turns you on?

We need feedback about incentives, although we’re not going to offer an incentive for your feedback! What incentives would you like to be offered? Do they really motivate you? How many iPods does anyone need? What loyalty does it gain and at who’s expense?
Some of our competitors use mp3 players, department store gift cards, tropical holidays to gain customer loyalty, however for us at Wildlight, these kind of consumer items have nothing to do with the business of licensing pictures. Other competitors also use big discounts, like buy three get the forth free — we have too, in the past, however, I feel it’s a bit crude and only a last resort. So what tickles your fancy? Basic marketing principles suggest that the incentive must have some relevance to our business and the services we provide. Some of our photographers have published high-quality books, like Richard Woldendorp and David Bettini, do you really want these? They are beautiful and will last countless more years than an iPod. Some of our photographers, like David Moore, Rennie Ellis and Phil Quirk have fine art prints collected by public galleries around the world, worth thousands, are these objects of desire? Would you like to see a valuable framed image on your wall? Is it that photography is not seen as being an art form, and particularly so now that stock pictures are worth as little as $1. Is it just a trade, if it was I’d make more money being a plumber!

In the second edition of LightVision, I ran a promo, for a signed book by Richard Woldendorp worth $50, a great book, by one of the Australia’s greatest photographers, all that was required was to write a humourous testimonial about Aussies and Wildlight. I didn’t think it was too difficult, however, I didn’t receive a single entry -not one! I’m still unsure as to why it was a resounding failure, perhaps the prize wasn’t sexy enough, perhaps it targeted the wrong demographic, or perhaps it was too much work for a low value product. My reasoning was for my customers to be creative by using some witty copy, not just to whack down the plastic and purchase. So it’s encouraged me to call for your valuable feedback on this nettlesome topic. Leave a comment below and tell me what incentive would or would not instantly make you purchase a picture licence.

now surely this beats an iPhone hands down… This is one of our favourite images, captured by Nik Gregorkiewitz, on an island off the Pilbara coast in Western Australia. It’s one of a series taken on the island, check out this hilarious collection here.

it adds to our favourite new, office-object-of-obsession, the rubber band ball. We cheated and started with a a golf ball (I want to make it clear that neither Jean-Marc nor I play golf or intend doing so any time soon) and we’ve never looked back. The incoming mail bundled together with a single, red rubber band, courtesy of Aussie Post, is heralded with such glee. Cheques, bills and the B&T are abruptly thrown aside as we make a b-line for the rubber band ball and cerimoniously apply another satisfying layer…You can make one too, you just need time and a sense of humour, learn how here. After all you can only absorb so many pictures in one day…

I first found out about Vivid National Photography Festival through Manuela at the Rennie Ellis Photographic Archive. She was attending an event where photojournalist, Stephen Dupont, was speaking. I’ve since found it’s the largest photography festival in Australia. From 11 July to 12 October, there will be over 100 exhibitions in 50 venues around the national capital and a huge number of floor talks, tours, workshops and events. Check out the extensive program here.

The exhibitions cover both contemporary and historical themes, the collections are sourced from a variety of public and private organisations. I’ve made a quick pick of some that I will visit: ACMP Signature Exhibition at Floriade 21 until 12 October. Selling an American Dream:Australia’s Greek Cafés at National Museum of Australia until 16 November. Beyond Reasonable Drought at Old Parliment House, also Roadkills and roadside memorials at the Old Bus Depot caught my attention. The Canberra Institue of Technology would be worth a visit to gauge the talent of a new breed of image makers. In early October there are three events for dramatic outdoor projection of images onto the walls of the National Library and Australian War Memorial, should be warmer by then. Please support this event, Canberra is a lovely place…really! It’s on the way to the snow too.

Wildlight Photographer, Jeff Drewitz, has been submitting a flood of images to the library, so it’s no surprise to see one of Jeff’s beautiful landscapes on a book cover, Floodtide by Judy Nunn. Random House used a striking image of Cape Leveque on the Kimberley Coast. Jeff is a specialist landscape stock photographer, and a very successful one at that. He travfels extensively in Australia but also overseas. His recent images of Norway and New Zealand are quite breathtaking, check them out here.